Sunday, August 23, 2009

Marblebog - Forestheart

Marblebog

Marblebog are a relatively well-known and highly praised entity in the black metal underground scene. Active since 1998 and since then released 3 full lengths and a plentitude of splits and a lone demo in the beginning of their existence. Marblebog have achieved the creative peak during this album suitably titled Forestheart. The type of black metal they play is one that's rather repetitous (in a good way) and hypnotic, creating tremelo picked riffs that flow naturally into one another and will evoke images of lone forests and mountainous regions. Marblebog excel at using the repetitive nature of the music to their advantage and as a consequent of this Forestheart is very consistent, with little to no faults. What attracts many black metal fans to Forestheart are the excellent riffs that aren't out there to create a frostbitten, grim or cold atmosphere, but more one of solitude, nature and everything relating to introspective themes, almost sounding ambient-like at times especially during the longest track Closing where Marblebog make use of droning ambient backed up the gutwrenching vocals that reek of despair and hatred. Forestheart has an almost ritualistic feel to it, often making use of typical samples such as wind, birds, etc. that are tastefully added. To keep the entire hypnotic feel going, it's necessary for Marblebog to make frequent use of blast beats, therefore the drumming isn't technically much interesting, but sometimes it's better to sacrifice technical proficiency and to go for a certain element of your music that you feel like highlighting, in this case the entire feel of the record. Some slower moments are however present as well as for example during Flame Of Wisdom. I would recommend Marblebog to those who can appreciate a sound similar to Velvet Cacoon, but performed a lot more consistent and well...more interesting or to those who have enjoyed the shoegazing quality of one-man band Trancelike Void, who were also previously discussed here (july 2009).

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